Book of proceedings
Sessions
Key Figures of Contemporary Theatre Directing
Wojciech Baluch
Krystian Lupa’s Directing in the Light of the New Humanities
Erhard Ertel
Directing as/or Common Work Process? Thoughts on Theatre Work at Frank Castorf’s Volksbühne 1992–2017
The Many Faces of Thomas Ostermeier
Jitka Goriaux Pelechová
Thomas Ostermeier’s Inductive Method or The Art of Communication with the Actors
Victoria Volkova
The Birth of ‘Unnameable Something’ from a ‘Genuine Encounter’: the Portrait of Thomas Ostermeier as Inventor of his Storytelling Rehearsing Method
Jitka Goriaux Pelechová, Viktoria Volkova, Peter M. Boenisch
The directing work of Thomas Ostermeier
Contemporary Theatre Directing and Rethinking Theatre-Directing Education
Bilge Serdar Göksülük
‘Soma’ – A New Body Phenomenon: Somatic Practices in Theatre Directing and Director Training
Andrei Zagorodnikov
‘The Creative Cauldron’
Power Relations and/in Theatre
Paul Bourne
Directing in a Foreign Language
Richard Pettifer
The New Direction: Boal, Bishop, and the Complex Expression of Power
Scroll up